The Post

The Post Movie Review 2018 : A Headline-blazer

Movie Name
The Post
Steven Spielberg
01 hours 55 minutes

The Post Review

In times when media houses look more at the balance sheet than at newsworthiness, Steven Spielberg puts out an important reminder. That the media’s primary function is the collection of good, outstanding news and to hold authorities accountable for their decisions. It cannot compromise with the freedom of speech enshrined in the constitution of a vibrant democracy.

One such story was the McNamara study on the Vietnam War. The secret papers that documented the lies told to the public about a war that the US government knew it was not winning, even as the count of American lives lost went up.

Despite the intrinsic heaviness of the plot, writers Liz Hannah and Josh Singer help Spielberg document The Washington Post story with a bustling breeziness that isn’t preachy. There’s room for wit in places, especially in the respectfully-cheerful equation between editor Ben Bradley and publisher Katherine Graham that never crosses over into cheeky familiarity. Like the time Ben turns up at her place unannounced for the umpteenth time and she dryly comments, ‘Perhaps I should give you a key to the house.’

When the editor of The Washington Post stays firm and won’t bow before a ban from the White House on one of his staffers, he exemplifies the spine and spirit of old world journalism. Katherine Graham who unwittingly inherited the paper after her husband’s suicide stands at the classic crossroads: continue schmoozing with the upper crust including Secretary of Defense Robert McNamara or go with her team, publish the papers and build the profile of The Post?

Katherine has to make crucial choices on many levels. Listen to the financial institutions that’ll help her go public or face the Nixon administration’s legal wrangling over the publication of the damning papers? In other words, publish what’s right or be ready for prosecution and forget about profit?

She’s also in a position that she didn’t ask for with enough condescending men around her, skittish about a woman in charge. Until she finally reminds them that she’s not filling in for father or husband, she is the owner of The Washington Post. A very brave woman at that, as the editor’s wife rightly points out.

It is an all-too-familiar scenario at anytime, anywhere. I’m not sure why critics in the US call this timely. I personally think it’s timeless, relevant at any time to any administration in any democracy.

Since Spielberg films the 1971 event five decades later, there is a retro feel to it. It was a different time with no email, no computer graphics, only the click-clack of typewriters and lino typesetting machines. It actually adds to the charm with a splash of nostalgia.

Meryl Streep as Katherine will feature in a bunch of nominations and perhaps walk away with a few trophies as she’s outstanding. Tom Hanks is as good and solid as Bradley is scripted to be.


  • Dialogues
  • Story
  • Music
  • Screen Play

The Verdict

For an always-relevant slice of cinema, The Post gets a 4* rating. It is especially relevant in a democracy like India.


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